Category: Media

Paul Checkley on Radio 2

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Clinical Director of Harley Street Hearing talks to Simon Mayo about the only truly invisible hearing aid – Lyric, which can be worn for months at a time.

Matthew Allsop from Harley Street Hearing on BBC Radio 2

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Harley Street Hearing Partner Matthew Allsop  talks to Steve Wright about our ears and hearing loss on BBC Radio 2.

Harley Street Hearing are the home of independent audiology in London. We have been established on Harley Street for the past 25 years. Call us on 020 7486 1053 or complete the form below to find out more about how we can help  you with any hearing issues.

 

Listen to us on Radio 2

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Jack Stancel-Lewis on Jeremy Vine discussing the rare symptoms and diagnosis of Superior Semicircular Canal Dehiscence Syndrome – which is where a person’s own speech or other self-generated noises (e.g. heartbeat, eye movements, creaking joints, chewing) are heard unusually loudly in the affected ear.

Matthew Allsop from Harley Street Hearing on BBC Radio 2

Paul Checkley talks to Radio 2 about the Phonak Lyric hearing device

Harley Street Hearing are proud to be the first UK clinic to introduce Lyric – the breakthrough hearing aid  which requires no handling and remains in your ear 24/7.

Lyric is inserted deep inside the ear canal by our specially trained hearing healthcare professionals and can stay there for up to three months even in the shower and while you sleep.

Harley Street Hearing played an integral part in the introduction of the Lyric hearing system into Europe and are the first and most experienced Lyric centre in the UK.

Call us on 020 7486 1053 to book your comprehensive Lyric assessment – you too could benefit from effortless, invisible hearing 24/7.

Find out more about Lyric by visiting our dedicated pages below…

As featured on Channel 4’s Embarrassing Bodies

Embarrassing bodies

Around half of all people aged over sixty experience distorted hearing, which can often lead to feelings of humiliation and isolation.

Dr. Christian, from the television program ‘Embarrassing Bodies,’ directed a patient experiencing age-related hearing loss to Harley Street Hearing.

Despite the gentleman’s initial hesitation, Partner Paul Checkley provided counselling on the significance of early intervention. Subsequently, the patient was equipped with a highly intelligent selective hearing device, and he greatly valued the positive impact it had on his daily life.

This episode was shown on Channel 4 in 2012 and unfortunately is no longer available online to view.

Explore our latest articles covering cutting-edge hearing technology, issues related to hearing, and insights on hearing health by visiting this link.

If you feel you may have a hearing loss please don’t hesitate to contact us so we can advise you on the best possible solution for your individual requirements.

Lyric changes lives – the first 100% invisible extended wear hearing aid

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Harley Street Hearing are proud to be the flagship Lyric clinic in the UK and are now the most successful Lyric Centre worldwide.  This ground-breaking hearing aid requires no handling and remains in your ear 24/7. And the best thing is – no one can see how well you hear!

Lyric is inserted deep inside the ear canal by our specially trained hearing healthcare professionals and can stay there for up to three months even in the shower and while you sleep.

 

Call us on 020 7486 1053 to book your comprehensive free Lyric assessment and free 30 day trial – you too could benefit from effortless, invisible hearing 24/7.

Read about us in The Sunday Times

Sunday times article
The Sunday Times

“Pump down the jam”

That post-gig ringing is no longer a pain in the ear thanks to a new breed of plugs, says our relieved writer.

It was an unusual birthday present, having green gunk syringed into my ears in a Harley Street consulting room. But my girlfriend’s heart was in the right place. And so, now, should my hearing levels be the next time I go to a gig — the result, and my surprise gift, a bespoke set of decibel-reducing earplugs that “turn down” the volume of amplified music without impairing its fidelity.

The woman doing the gunking (my girlfriend had merely written the cheque) was Geraldine Daly, audiologist to the stars and to pop writers like me. She was taking a mould of each of my lugholes so my earplugs fitted perfectly. I need them because — like 10% of adults in Britain — I have persistent tinnitus, that ringing sound you can get after listening to loud music, and I don’t want it to worsen. Typically, the condition passes after a few hours, but in one in 10 cases, the sonic hangover never leaves you. And there is no cure.

For decades, musicians and music fans took tinnitus on the chin, or rather on the tympanic membrane. Some even regarded it as a badge of honour, their “tinnitus buzz”. Now most wellknown bands are aware of the dangers of loud music, and in-ear monitors that lessen ambient noise on stage are the industry standard. Yet, as Daly’s colleague Paul Checkley says, 90% of those tested at Musicians’ Hearing Services have some degree of hearing loss if they already have tinnitus. Dido, Coldplay, Plan B, Pete Townshend and New Young Pony Club are among the company’s clients. Despite the efforts of the British Tinnitus Association (BTA) and the Royal National Institute for Deaf People’s Don’t Lose the Music campaign, the general public is far less
clued up.

While old age, stress and genetic predisposition can bring it on, the most common cause of tinnitus is prolonged exposure to amplified music above 85 decibels (dB), whether that’s at home, at a gig, in the car or on personal headphones (which can peak at 115dB). Eighty-five decibels, roughly equivalent to busy city traffic, is deemed a safe daily limit (averaged over an eight-hour working day) for unprotected ears. Decibels, however, are measured on a logarithmic scale, so every 3dB increase of intensity represents a doubling of loudness and, consequently, a halving of safe exposure time. Do the maths and a rock show, at 110dB, is safe without protection for barely two minutes. Spinal Tap might have loved to crank their amps up to 11, but here the joke is on us.

Eddy Temple-Morris, a DJ/producer and BTA advocate, is angry that the risks of loud music receive so little publicity.

“I used to think the ringing noise, tinnitus, was part and parcel of going to a gig. Nobody — not the government, not my GP, not anybody — told me that one day the noise would never go away. The government spends a gazillion quid on warning people not to burn themselves with fireworks on Bonfire Night. Fair enough, but 10% of the country don’t burn themselves with fireworks. There should at least be posters telling people they could permanently damage their ears simply by being at a venue.”

After I’d spoken to Temple-Morris, he mentioned the interview on Twitter, and the war stories tumbled forth. @DJDanCook tweeted: “Horrendous tinnitus-induced insomnia last night.” And
@orangewarrior chimed in: “It actually gets a bit better after you’ve worn ER-15s [the mediumstrength fitted earplugs] for a while. Never goes away, but I noticed an improvement.” For some, though, it’s already too late. Temple-Morris says that his friend Erol Alkan, a DJ, has lost 40% of his hearing in one ear.

What exactly is tinnitus? Nobody knows for sure. Loud music leaves the hair cells of the cochlea all shook up. What happens next is either that we start to pick up what Checkley describes as “excess electrical activity in the auditory system” — internal static, if you will — or that the brain, as Checkley puts it, “anticipates a response from those hair cells and, not receiving it, or getting it at a lower level than expected, generates a signal to compensate for it”. What tinnitus sufferers “hear” is an individual perception: mine blares like a whistling kettle, only not as shrill; others report clicking, hissing and roaring noises. Most of us can learn to tune them out, but folk with chronic tinnitus want to run head first into walls.

As for whether tinnitus can lead to deafness, Daly says: “Tinnitus does not necessarily mean that there is impending hearing loss. Yet, if the sufferer continues to be exposed to the same levels of noise, there is every chance the tinnitus will get worse.” Noise-induced hearing loss means you lose frequencies of 4kHz and above.

As Checkley explains, that’s all the “ck-th-ssh-sss” consonant sounds vital to understanding what is being said to us. Some musicians he treats have hyperacusis, an abnormal growth of loudness in the cochlea, “which is even worse than tinnitus”.

“It’s the best £175 I’ve ever spent,” Temple-Morris says of his custom-made plugs. “You can still hear the sizzle of a high-hat, the boom of a kick drum and all the midrange frequencies.” They work by filtering the sound, taking the edge off the volume by an order of 9dB, 15dB or 25dB. I was advised to go for the ER-15s, meaning my safe listening limit has, in effect, been increased to eight hours at 100dB. But if an arena rock concert lasts two hours and hits 110dB, doing the logarithmic calculation, won’t I be “at risk” for the second half of the show, even wearing my supersnug ER- 15s?

“Remember that these safe levels are set low, and that it depends where the 110dB level is measured,” Checkley says. “If it is 110dB at the speaker, there will be a substantial drop in intensity over distance. Also, we are talking averages — while the levels may peak at 110dB, the average may be lower over the two-hour period.”

No moshing down the front at a Metallica show, then. In most situations, though, it seems I’ll be safer more often than sorry with the earplugs in. And rather that than be a tinnitus burnout any day. Time to write a certain someone a thank-you note, eh?

by Richard Clayton-published in The Sunday Times.

Call 020 7486 1053 or complete the form below to see how we can help your hearing.

Harley Street Hearing at the Opera

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Harley Street Hearing with Musicians’ Hearing Services are proud to have been asked to provide earcare services and education about hearing protection to the orchestra at Royal Opera House. Many musicians are not aware of the potential harm that continued exposure to loud music can cause to hearing. We provide information and advice to the players and work with them to develop strategies to minimise the risk of hearing damage.

 

Alt-J – 2012 Mercury Music Prize winners

Paul with patient


We first met Alt-J  earlier this year when they came to the practice’s Musicians’ Hearing Service for their on-stage ear-monitors. At the appointment, audiologist and co-founder of Harley Street Hearing Paul noticed that drummer Thom was wearing just one 10-year-old NHS aid – its pair was broken – and introduced him to literature on the latest manufacturers and digital technology possibilities. “I was blown away by how little I knew about new hearing aids,” says Thom.

Thom returned to Harley Street Hearing for a full hearing test where, along with Paul’s advice, he opted for a binaural pair of Widex Clear 440s. A couple of weeks later, in-between band commitments and touring, Thom returned for his fitting, an experience that up until that point in his life, he could never have imagined.

“The fitting with Paul was great,” he says. “It was overwhelming. I knew that I’d be surprised and it would be amazing but I couldn’t have imagined how fantastic it would be. The levels of my new aids are so good. I’m aware of my voice; I can hear the sound of my pronunciation.”

Harrogate-born Thom was born with Alport Syndrome, a condition that results in hearing loss, kidney disease and can affect eye-sight.

Because of his profession and the sheer volume of touring the band was set to take on in the coming months and years, at their initial consultation Thom decided to opt for CICs as opposed to the BTEs he had been wearing. “When you’re touring, you sleep wherever you can and more often than not, that’s in the van. If you’re trying to sleep with your head leaning against a metal pole your hearing aids get in the way. It’s amazing to now have that whole freedom away from my ears.”

During the fitting, Paul was careful to caution Thom that everything might initially sound strange, especially as Thom had auditory deprivation, having not worn the pair to his aid for over a year. “In situations like this, it takes time to get used to the new sound,” explains Paul. “It will initially feel strange and a bit surreal because the brain is re-adjusting to binaural hearing, which affects balance.”

But Thom soon got used to his new aids and the band embarked on a summer of touring and playing festivals from Japan to Los Angeles, and all over Europe.

As well as being fitted with Widex Clear 440 CICs, Thom now has the Widex M-Dex, an assistive listening device for use with the mobile phone, which has also helped in his life as a member of a Mercury Prize-winning band. “I do a lot of promo and phone interviews,” he says. “The M-Dex makes such a difference. It’s so unique.”

 

Actor Nicola Alexis recommends Harley Street Hearing

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Professional actor Nicola Alexis wanted discreet hearing aids to boost her confidence in both her work and home life. Harley Street Hearing helped her find the perfect pair.

Nicola has been acting professionally for 13 years and has a credit list bursting with big roles, from EastEnders to The Bill. She was diagnosed with a mild to moderate hearing loss with tinnitus in the early stages of her career, but she refused to take it as a cue to step out of the spotlight.

Nicola made an appointment at Harley Street Hearing, where she was tested and fitted by experienced audiologist Paul Checkley. “He was incredibly professional and everyone was very helpful,” says Nicola. “I felt that they were very much at the front of the market of hearing aid development and that I was really receiving the best care that I could.” After a thorough testing procedure and discussions about her needs and the technology and products available, Paul fitted Nicola with a pair of Widex IICs.

Given her profession, size and visibility were major criteria for Nicola, as was comfort given the petite nature of her ears. “These are very discreet, even with my ears being very small!” she says. “And I very quickly became used to the sound. Adjusting to hearing aids can be hard and the more natural the sound quality the better. I often forget I’m even wearing them so I feel they must be doing everything right.”

Nicola has now fully adjusted to her new aids and is thrilled with the improvements they have made to her life, as well as the aftercare she received from Harley Street Hearing. “I was able to make cosmetic changes to my aids to suit my needs quickly and easily.” She adds: “Being able to hear more is a major confidence boost, now I don’t worry about being in nosy environments or it being my fault if I just can’t hear someone.” Nicola also has noticed how the aids have made aspects of her career easier too. “Challenges like after-show talks, auditions and so on are no longer things to be dreaded” says the actor. “And in my career, having confidence is very important.”

Would she recommend Harley Street Hearing to her family, friends and colleagues? “Absolutely,” she says. “From the start they have been professional and considerate to my needs.”